About the Author
Size: 2.766 MB
Size: 2.766 MB
One of the biggest problem areas for writers is conveying a character’s emotions to the reader in a unique, compelling way. This book comes to the rescue by highlighting 75 emotions and listing the possible body language cues, thoughts, and visceral responses for each. Using its easy-to-navigate list format, readers can draw inspiration from character cues that range in intensity to match any emotional moment. The Emotion Thesaurus also tackles common emotion-related writing problems and provides methods to overcome them. This writing tool encourages writers to show, not tell emotion and is a creative brainstorming resource for any fiction project.
One of the challenges a fiction writer faces, especially when prolific, is coming up with fresh ways to describe emotions. This handy compendium fills that need. It is both a reference and a brainstorming tool, and one of the resources I’ll be turning to most often as I write my own books. – James Scott Bell, bestselling author of Deceived and Plot & Structure
Angela Ackerman and Becca Puglisi are bestselling authors, writing coaches, and international speakers. Their books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. Angela and Becca also co-founded their popular Writers Helping Writers site, a hub where authors can hone their craft, as well as One Stop for Writers, an innovative online library built to help writers elevate their storytelling.
<< The Emotion Thesaurus: A Writer’s Guide To Character Expression >>
Size: 282.9 kB
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet.
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more than a million copies sold, this volume has stood the test of time and remains a valuable resource for writers and would-be writers.
When I opened this book the first time, I fancied myself a good writer. I had just landed a job as a copywriter, and I felt pretty good about myself. Then my boss walked into my office and dropped a copy of Zinsser’s classic on my desk. “This is your first assignment,” he said. So I read.
This book is as engaging as it is instructive. It’s so easy to read and understand, you can’t help but improve. It spells out everything that’s wrong most people’s writing, then provides simple solutions. You’ll cut pounds of fat from your writing. Your sentences will sparkle and your paragraphs will dance. Best of all, your readers will read, not groan.
The book is billed for writers of nonfiction, but its benefits extend to all writers. If you enjoy writing, even if you hate to write but find yourself in a profession that demands it, this book will vastly improve your work. It should grace every writer’s bookshelf, right next to Strunk and White’s “The Elements of Style” and Kilpatrick’s “The Writer’s Art.”
Size: 4.745 MB
The best-selling book on academic writing―in use at more than 1,500 schools.
“They Say / I Say” identifies the key rhetorical moves in academic writing, showing students how to frame their arguments in the larger context of what others have said and providing templates to help them make those moves. And, because these moves are central across all disciplines, the book includes chapters on writing in the sciences, writing in the social sciences, and―new to this edition―writing about literature.
The best tribute to “They Say / I Say” I’ve heard is this, from a student: “This is one book I’m not selling back to the bookstore.” Nods all around the room. The students love this book. –Christine Ross, Quinnipiac University
The argument of this book is important–that there are “moves” to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot. –David Bartholomae, University of Pittsburgh
A brilliant book. . . . It’s like a membership card in the academic club. –Eileen Seifert, DePaul University
Demystifies academic argumentation. –Patricia Bizzell, College of the Holy Cross”
This book demystifies rhetorical moves, tricks of the trade that many students are unsure about. It s reasonable, helpful, nicely written . . . and hey, it s true. I would have found it immensely helpful myself in high school and college. –Mike Rose, University of California, Los Angeles”
The argument of this book is important that there are moves to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot. –David Bartholomae, University of Pittsburgh”
<< “They Say / I Say”: The Moves That Matter in Academic Writing >>
Size: 2.811 MB
Overview: Belch/Belch 9th edition continues its Advertising focus with an emphasis on IMC. It includes very comprehensive coverage of Agency issues and creative work and how it is related to the IMC mix. The authors understand that marketers must look beyond traditional media in order to achieve success. In order to best communicate with consumers, advertisers must utilize a myriad of tools (advertising, public relations, direct marketing, interactive/Internet marketing, sales promotion, and personal selling); Belch/Belch is the first book to reflect the shift from the conventional methods of advertising to the more widely recognized approach of implementing an integrated marketing communications strategy. The text underscores the importance of recognizing that a firm must use all promotional tools available to convey a unified message to the consumer. The integrated marketing communications perspective (the theme of the text) catapults the reader into the business practices of the 21st century.
Professor of Marketing at San Diego State University. He received his B.S. degree in Marketing from Penn State University, his M.B.A. from Drexel University, and his Ph.D. in Consumer Behavior from the University of Pittsburgh. He has published articles on advertising and marketing in a variety of journals and serves on the editorial board of the Journal of Advertising. He also consults for a number of companies in the areas of advertising, marketing strategy, and amrketing research.
Professor and chairman of the Marketing department at San Diego State University. He received a B.S. in Marketing from Penn State University, an M.S. in Marketing from the University of Colorado and a Ph.D. in Marketing from the University of California, Los Angeles. He has published numerous articles in prominent journals.
<< Advertising and Promotion: An Integrated Marketing Communications Perspective >>
<< Advertising and Promotion: An Integrated Marketing Communications Perspective >>
Size: 103.9 MB
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Five stars for Tell It Slant … An enlightening, comprehensive, and very satisfying text on writing and shaping creative nonfiction.”
—Sheila Bender, editor and publisher of writingitreal.com and author of Writing and Publishing Personal Essays
When the poet Emily Dickinson wrote, “Tell all the Truth but tell it Slant,” she provided today’s writers of creative nonfiction some sound advice: tell the truth but don’t become mere transcribers of day-to-day life. Whether you are writing a memoir or researched essay, the award-winning authors will guide you along the journey, using intensive instruction and an abundance of writing exercises. You will learn how to find a distinctive voice, use prompts to get started and keep writing, discover stories in impossible places, tackle (and enjoy) background research, and more.
This second edition includes a new chapter on publication–print, digital; an update on “The Particular Challenges of Creative Nonfiction” chapter to include references to James Frey and other controversies regarding nonfiction ethics; and an expanded resource section and bibliography.
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide
Brenda Miller is a professor of English at Western Washington University and serves as editor in chief of the Bellingham Review. She is the author ofBlessing of the Animals (EWU Press, 2009), which received the bronze medal in ForeWord Magazine’s Book of the Year Award. Her work has received five Pushcart Prizes.
Suzanne Paola is a professor at Western Washington University. Awards for her books Body Toxic: An Environmental Memoir (2001) and A Mind Apart(2005), include a New York Times Notable Book, an American Book Award winner, a Library Journal Best Science book of the year, an Elle Reader’s Choice finalist, and many others.
Size: 1.325 MB
Revised and updated with a new preface and material on the rise of social media, the challenges facing printed news, and how journalism can fulfill its purpose in the digital age.
Seventeen years ago, the Committee of Concerned Journalists gathered some of America’s most influential newspeople to ask the question, “What is journalism for?” Through exhaustive research, surveys, interviews, and public forums, they identified the essential elements that define journalism and its role in our society. The result is this, one of the most important books on the media ever written, and winner of the Goldsmith Book Award from Harvard, the Society of Professional Journalists award, and the Bart Richards Award from Penn State University.
Updated with new material covering the rise of social media, sponsored content, a new, collaborative web-based journalism in which anyone—professional or citizen—can produce news, and much more, this third edition of The Elements of Journalism is an essential read for journalists, students, and anyone hoping to stay informed in the digital age.
“At a time when technological and financial forces are creating formidable challenges to journalism’s traditional values, Kovach and Rosenstiel have written an immensely valuable primer on who we are, what we do, and how we should do it.”
— David Halberstam
“The Elements of Journalism is a remarkable book that does a superb job of describing the problems, articulating the values, outlining the risks, and offering understandable and practical ways to respond to the difficulties of the present state of journalism. The Elements of Journalism ought to become required reading for every institution (and individual) engaged in journalism.”
— Neil Rudenstine, President, Harvard University
“Of the many books that have been written about reporting the news, this one best captures the shortcomings, subtleties, and possibilities of modern journalism. It deserves to become as indispensable to journalists and journalism students as The Elements of Style.”
— Tom Goldstein, Dean, Graduate School of Journalism, Columbia University
Size: 2.185 MB
“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.'”
Think you’ve got a book inside of you? Anne Lamott isn’t afraid to help you let it out. She’ll help you find your passion and your voice, beginning from the first really crummy draft to the peculiar letdown of publication. Readers will be reminded of the energizing books of writer Natalie Goldberg and will be seduced by Lamott’s witty take on the reality of a writer’s life, which has little to do with literary parties and a lot to do with jealousy, writer’s block and going for broke with each paragraph. Marvelously wise and best of all, great reading.
Lamott’s ( Operating Instructions ) miscellany of guidance and reflection should appeal to writers struggling with demons large and slight. Among the pearls she offers is to start small, as their father once advised her 10-year-old brother, who was agonizing over a book report on birds: “Just take it bird by bird.” Lamott’s suggestion on the craft of fiction is down-to-earth: worry about the characters, not the plot. But she’s even better on psychological questions. She has learned that writing is more rewarding than publication, but that even writing’s rewards may not lead to contentment. As a former “Leona Helmsley of jealousy,” she’s come to will herself past pettiness and to fight writer’s block by living “as if I am dying.” She counsels writers to form support groups and wisely observes that, even if your audience is small, “to have written your version is an honorable thing.”
Copyright 1994 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
Size: 101.6 MB
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A little more than seventy-five years ago, Kate L. Turabian drafted a set of guidelines to help students understand how to write, cite, and formally submit research writing. Seven editions and more than nine million copies later, the name Turabian has become synonymous with best practices in research writing and style. Her Manual for Writerscontinues to be the gold standard for generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, A Manual for Writers of Research Papers, Theses, and Dissertations has been fully revised to meet the needs of today’s writers and researchers.
The Manual retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources.
The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, A Manual for Writers remains the essential resource for students and their teachers.
Size: 3.236 MB